the longing for repetition
“Happiness is the longing for repetition.”This is a song I made for CT-One Minute. All sounds are derived from a 10-second bass clarinet phrase sample that can be downloaded freely from the Philharmonia Orchestra's website. The sample was played back at various playback rates, forward and backward, through various envelopes using the Samplewiz sampler on my iPod. This performance was recorded in one take with all looping and effects done in samplewiz. No further editing or effects except for copy and pasting the beginning at the end to bring closure to the piece.
I approached samplewiz as a livelooper, since, in "note hold" mode, every note on the keyboard can be seen as a track on a multi-track looper (each with a different playback rate). For this piece, I used the forward and backwards loop settings in the wave window, so things get go sound a bit different. I added some delay and messed with the envelope and it started to sound nice. Once I had a good bed of asynchronous loops, I left "note hold" by tapping rather than swiping the control box (this kept the held notes). I then changed the settings around and played over the loops without "overdubbing".
Samplewiz is quite powerful... You can also change the loop start and end points in between notes to add variety, without affecting the notes that are already being held.
tutus de chemin
This is the soundtrack for a short film I made in a weekend with my wife. I started with a vocal recording of my wife that I sent through Paul's Extreme Sound Stretch. The resulting audio file was played back as a looop in Bidule. I sent the audio to a pitch shifting plug-in (I believe I was using PitchWheel at the time) and then to a midi gate group and finally to the Mobius looper. I performed the sounds two-handed on my Trigger Finger. One hand was controlling a fader that was assigned to pitch shifting and the other was triggering pads to control the midi gate (the note envelope) and various functions in Mobius.
Three of a kind
This piece started out as an assignment for a course in Electroacoustic composition I took at SFU a few years ago. The sound source was a homemade instrument, but everything was mangled and cut-up. This piece features heavy use of the short loop fabrication technique familiar to readers of this blog. I used Acid to assemble everything and add some effect automation throughout the piece.
This is the soundtrack to a short animation film I made last year. I used Soundgrain to isolate parts of the original sound's spectrum and used that software to create loops that I mixed while recording. I think this musical cutup is well-matched with the visual cutup it was meant to accompany.
This songs was made using my soon to be released iOS app: BreakOSC! This app is a game that sends OSC messages based on in-game events. In this case, when the ball hit blue and green bricks, Bidule triggered four instances of iZotope's Iris. The paddle served as a cross-fader and mixed all those sounds together. The results were sent to a generous amount of reverb courtesy of Audio Damage's Eos.
sans jamais ni demain
Another composition I made for the aforementionned course in electroacoustic composiiton I took at SFU. The only sound source for this piece is a recording of myself reading an old poem I wrote in high-school. The slow moving textures were made by isolating parts of those words, slowing them down and layering them over each other to create very long notes of varying pitch that fade in and out over time. The more rythmic stuff I made using a now familiar technique.
July 8 2011
This piece is a recording of a live (from my basement) performance of what will one day become my meta-trombone. A short loop is created at the top (what is heard twice in the beginning) and then altered in different ways determined by trombone performance.
Twice through the looking glass
This song was also made for CT-One Minute using the exact same sound source as the longing of repetition. This time, however, I used Iris to change the character of the sound and created two different sound patches. I made two recordings with each of these patches by triggering the sounds with my new Pulse controller. My three-month old daughter also took part by adding her own surface hitting contributions, making this our first father-daugther collaboration. Once I had made these two recordings, I brought them in Bidule and placed them into Audio file players. The amplitude of output of each player was controlled via faders on my Trigger Finger and the result was recorded to file.